Starred review from March 13, 2006
Misha Vainberg, the rich, arrogant and very funny hero of Shteyngart's follow-up to The Russian Debutante's Handbook
, compares himself early on to Prince Myshkin from Dostoyevski's The Idiot
: "Like the prince, I am something of a holy fool... an innocent surrounded by schemers." Readers will more likely note his striking resemblance to John Kennedy Toole's Ignatius Reilly. A "sophisticate and a melancholic," Misha is an obese 30-year-old Russian heir to a post-Soviet fortune. After living in the Midwest and New York City for 12 years, he considers himself "an American impounded in a Russian body." But his father in St. Petersburg has killed an Oklahoma businessman and then turned up dead himself, and Misha, trying to leave Petersburg after the funeral, is denied a visa to the United States. The novel is written as his appeal, "a love letter and also a plea," to the Immigration and Naturalization Service to allow him to return to the States, which lovingly and hilariously follows Misha's attempt to secure a bogus Belgian passport in the tiny post-Soviet country of Absurdistan. Along the way, Shteyngart's graphic, slapstick satire portrays the American dream as experienced by hungry newborn democracies, and covers everything from crony capitalism to multiculturalism.
It's also a love story. Misha is in love with New York City and with Rouenna Sales, his "giant multicultural swallow" from the South Bronx, despite the pain they have caused him: a botched bris performed on Misha at age 18 by New York City's Hasid-run Mitzvah Mobile, and Rouenna running off with his stateside rival (and Shteyngart's doppelganger), Jerry Shteynfarb (author of "The Russian Arriviste's Hand Job") while Misha is stuck in Russia. The ruling class of Absurdistan is in love with the corrupt American company Halliburton, which is helping the rulers in a civil war in order to defraud the U.S. government. Halliburton, in turn, is in love with Absurdistan for the money it plans to make rebuilding Absurdistan's "inferstructure" and for the plentiful hookers who spend their nights and days by hotel pools looking for "Golly Burton" employees to service. And everyone is in love with America—or at least its money.
Everything in Shteyngart's frustrated world—characters, countries, landscapes—strives for U.S.-style culture and prosperity, a quest that gives shape to the melancholy and hysteria of Shteyngart's Russia. Extending allegorical tentacles back to the Cold War and forward to the War on Terror, Shteyngart piles on plots, characters and flashbacks without losing any of the novel's madcap momentum, and the novel builds to a frantic pitch before coming to a breathless halt on the day before 9/11. The result is a sendup of American values abroad and a complex, sympathetic protagonist worthy of comparison to America's enduring literary heroes.
Starred review from April 1, 2006
Set in Russia in the summer of 2001, this riotously original novel stars one Misha Vainburg, the dissipated, American-educated, 325-pound son of Boris Vainburg, a Russian Jewish dissident -turned -oligarch after the fall of the Soviet Union and the -1,238th richest man in Russia. - After spending some time in St. Petersburg, Misha longs to return to America to join Rouenna, his streetwise New York girlfriend. Barred from getting a visa because his father killed an American businessman, Misha journeys to the Caspian republic of Absurdsvanï , from which he hopes to emigrate after getting Belgian citizenship. Upon his arrival, he faces a phony civil war, concocted to gain American economic support. With the borders closed, and stuck in the midst of a war that's increasingly real, Misha finds himself growing up in unexpected ways. Richly satiric and filled with trenchant one-liners, this tale often reads like a Russian version of "A Confederacy of Dunces" (with a bit of "The Idiot" and "The Mouse That Roared" thrown in). Highly recommended for both public and academic libraries." -Lawrence Rungren, Merrimack Valley Lib. Consortium, Andover, MA"
Copyright 2006 Library Journal, LLC Used with permission.
April 15, 2006
Shteyngart's second novel (" The Russian Debutante's Handbook" , 2002, was the first) is a wild ride that follows its protagonist and narrator, Misha Vainburg, from St. Petersburg (or St. Leninsburg as he prefers to call it) to a tiny country in the Caucasus called Absurdsvani, with occasional detours via flashbacks to New York City and Misha's midwestern alma mater, Accidental College. Misha, whose life seems to be a series of outlandish adventures, continues in that manner after the murder of his wealthy gangster father. Denied a visa to return to the U.S. or even the European Union, he instead heads for Absurdsvani--Absurdistan in his eyes--to purchase a Belgian visa. There he becomes embroiled in the tiny country's volatile politics fueled by the dark forces of Halliburton, or "Golly Burton" as the Absurdistanis call it. Shteyngart's satire takes no prisoners, including himself. Who else could tie together nineteenth-century Russian literature, hip-hop, and twenty-first-century oil politics and strife? But then Misha, as he often describes himself in this very funny, very pointed book, is a multiculturalist. (Reprinted with permission of Booklist, copyright 2006, American Library Association.)
February 26, 2007
At the center of Shteyngart's rollicking tale of the ridiculousness of life in post-Soviet Central Asia is Misha Vainberg, an obese, extremely wealthy young Russian man stuck in Absurdistan, an imaginary republic that mirrors the striving but backward real "stans" of the world. Unable to get a visa back to the U.S., where he went to college and has an ex-girlfriend from the Bronx ghetto, Misha instead must fend for his life as a civil war erupts in the tiny country, to the concern of almost no one else in the world. Arte Johnson gamely tackles multiple accents, but the brilliant free-for-all of Shteyngart's wordplay, which tumbles out with delightful ease on the page, sometimes trips him up. The stumbles disrupt the engrossing tale of the failures, frustrations and hilarity that result from Absurdistan's ardent pursuit of a Western-style modernity for which it is ill-prepared. Listeners will still be swept up in Misha's neurotic, self-centered but endearing narration and pleasantly startled by his spot-on observations of 21st century life in both Central Asia and America, but they will wish this production did better justice to Shteyngart's facility with language and the novel's crazy antics. Simultaneous release with the Random House hardcover (Reviews, Mar. 13, 2006).