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Bitter English

ebook
1 of 1 copy available
1 of 1 copy available
Imagine you are a Palestinian who came to America as a young man, eventually finding yourself caught between the country you live in with your wife and daughter, and the home—and parents—you left behind. Imagine living every day in your nonnative language and becoming estranged from your native tongue, which you use less and less as you become more ensconced in the United States. This is the story told by Ahmad Almallah in Bitter English, an autobiography-in-verse that explores the central role language plays in how we construct our identities and how our cultures construct them for us.

Through finely crafted poems that utilize a plainspoken roughness to keep the reader slightly disoriented, Almallah replicates his own verbal and cultural experience of existing between languages and societies. There is a sense of displacement to these poems as Almallah recounts the amusing, sad, and perilous moments of day-to-day living in exile. At the heart of Bitter English is a sense of loss, both of home and of his mother, whose struggle with Alzheimer's becomes a reflection of his own reality in exile. Filled with wit, humor, and sharp observations of the world, Bitter English brings a fresh poetic voice to the American immigrant experience.
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    • Library Journal

      August 23, 2019

      In the prefatory poem to this finely crafted debut collection, Palestinian American Almallah (Arabic & Arabic literature, Univ. of Pennsylvania) proclaims, "this english tongue cuts me/ through, because this english tongue owes me// a language," and his poetry shows him caught between not just languages but a past no longer his and a present not entirely comfortable. Returning to Palestine to see family, he is haunted by a feeling of not belonging ("you are not/ you, you are you, done with, over"), the uncertainty of memory ("forgetful/ and remembering/ and dusting/ off the winds"), and the confusion of identity as he decides which passport to use at border control. The political inevitably enters in flight ("From above/ we pass/ the places/ I couldn't visit on this return"), while back in Philadelphia Almallah tends the garden with tools he can't name and decries being "a deserter of my own language." VERDICT From his citizenship interview to a final meditation on the past as he asks his daughter to repeat her sentences in Arabic, Almallah's poetry-cum-memoir doesn't shout but with pointed, persistent, limpid lines minimized to the very essence sums up loss and fractured identity as sharply as any jeremiad.--Barbara Hoffert, Library Journal

      Copyright 2019 Library Journal, LLC Used with permission.

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