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The Traveling Vampire Show

Audiobook
1 of 1 copy available
1 of 1 copy available

The Traveling Vampire Show, by Richard Laymon Unabridged)

The Traveling Vampire Show won a Bram Stoker Award for Novel Of The Year in 2001

It's a hot August morning in 1963. All over the rural town of Grandville, tacked to power poles and trees, taped to store windows, flyers have appeared announcing the one night only performance of The Travelling Vampire Show. The promised highlight of the show is the gorgeous Valeria, the only living vampire in captivity.

For three local teenagers, two boys and a girl, this is a show they can't miss. Even though the flyers say no one under eighteen will be admitted, they're determined to find a way. What follows is a story of friendship and courage, temptation and terror, when three friends go where they shouldn't go, and find much more than they ever expected.

I.S.B.N.: 9781897304433

Genre: Horror

Read by: Bob Barnes

Length: 11 Hours

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    • Publisher's Weekly

      Starred review from May 1, 2000
      Like the vampire he celebrates so often (Stake, etc.), this talented writer's career, once dead in the States though not overseas, has risen anew--thanks largely to Cemetery Dance, which has issued his work (Cuts; Come Out Tonight; etc.) even as no mainstream American hardcover publisher would touch it. The author's fall after his successful run in the 1980s was due to several factors, including his writerly predilection toward excess sex and violence. Here, Laymon takes those elements in hand, not so much abjuring them as putting them to artful use as he tells a wickedly involving story of three 16-year-olds and their life-changing encounter with the road show of the title. It's hot August 1963 when narrator Dwight, along with his pals--overweight Rusty and pretty (female) Slim--note flyers for the Traveling Vampire Show, featuring a purported real vampire, Valeria. Intrigued, the trio sneak onto the backwoods site of the show and there tangle with a vicious dog; after the others leave, Slim watches the spooky show troupe spear the mongrel to death. This, plus a long buildup to the show (spinning on whether troupe members are after the teens) forms most of the long narrative. Unusual for Laymon, the emphasis is on atmosphere rather than action, and he sustains a note of anticipatory dread throughout, made particularly resonant through his expert handling of the social, particularly sexual, tensions among the three teens. The novel's climax is the show itself, and here Laymon lets out the stops in typically ferocious fashion. In its understanding of the sufferings and ecstasies of youth, the novel carries some of the wisdom of King's The Body or Robert R. McCammon's Boy's Life, but the book, Laymon's best in years, belongs wholly to this too-neglected author, who with his trademark squeaky-clean yet sensual prose, high narrative drive and pitch-dark sense of humor has crafted a horror tale that's not only emotionally true but also scary and, above all, fun.

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